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Nikolaus Geyrhalter
AT 2018 112'
⚬ Society ⚬ Current Affairs & Politics
A political satire about populism and its absurd consequences. In spring 2016, Austrian politicians fear an onslaught of war refugees via Italy and announce a new border fence. The residents fear the fence just as much as the supposedly threatening alienation of their homeland. At the end of the film, the fence is still curled up in the container, as the feared refugee rush never materialized.
Director | Nikolaus Geyrhalter |
Producers | Markus Glaser, Wolfgang Widerhofer, Michael Kitzberger, Nikolaus Geyrhalter |
Executive Producer | Markus Glaser |
Production Company | NGF - Nikolaus Geyrhalter Filmproduktion |
Cinematography | Nikolaus Geyrhalter |
Editors | Emily Artmann, Gernot Grassl |
Sound | Karim Weth |
Best Austrian Documentary Film | Diagonale 2018 |
VIKTOR DOK.deutsch Award | DOK.fest München 2019 |
Diagonale 2018 |
IDFA 2018 |
Trieste Film Festival 2019 |
KINO - Mostra de Cinema de Expressão Alemã 2019 |
DocPoint Helsinki 2019 |
DocPoint Tallinn 2019 |
Ambulante 2019 |
ZagrebDox IDFF 2019 |
One World Prague 2019 |
One World Romania 2019 |
CPH:DOX 2019 |
Docudays 2019 |
Movies that Matter 2019 |
Docville IDFF 2019 |
Trento FF 2019 |
DokFest München 2019 |
Documenta Madrid 2019 |
DocAviv 2019 |
Krakow FF 2019 |
Sheffield Doc/Fest 2019 |
Runtime | 112' |
Spoken Languages | German |
Production Countries | Austria |
Resolution | 4K |
Nikolaus Geyrhalter was born in Vienna, Austria in 1972. Twenty-two years later he formed his own production company: Nikolaus Geyrhalter Filmproduktion. He made his first film, EISENERZ, in 1992. Two years later, he shot his first documentary, WASHED ASHORE (1994) it is telling a story about the river Danube and often strange idiosyncrasies of the people who live along its banks. Geyrhalter’s static-camera, well-paced observational films tackle their subjects head-on, whether it’s exploring the terrain in Chernobyl, Ukraine (PRIPYAT - 1998), tracing the route of the Dakar Rally (7915 KM - 2008), or investigating the production of processed foods (OUR DAILY BREAD - 2005). In 2003 he received Austrian State Award for Film Art and in 2008 his film OUR DAILY BREAD won the Grimme Prize.