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Kate Blackmore
AU 2024 77'
⚬ Human Interest ⚬ Current Affairs & Politics
Claire Warden is hired to choreograph and supervise sex scenes in some of Hollywood’s most popular films and television series. A former stunt choreographer, it’s now her job to guide actors through these scenes unscathed. She applies nipple patches and knee pads, penis pouches and prosthetics - all to help the director and actors create the illusion of intimacy.
MAKE IT LOOK REAL pulls back the curtain on the reality of Hollywood sets, and offers unprecedented access to one of filmmaking's newest roles: the intimacy coordinator
Director | Kate Blackmore |
Producers | Bethany Bruce, Daniel Joyce |
Executive Producers | Bridget Ikin, Emma Cooper, Elliott Magen, Michael Agar, Stevie Ray |
Production Company | Staple Fiction, Projector Films |
Cinematography | Justine Kerrigan |
Editor | Elliott Magen |
Music | Benjamin Speed |
Sound | Jennifer Leonforte |
| Adelaide IFF 2024 |
| Runtime | 77' |
| Spoken Languages | English |
| Production Countries | Australia |
Kate Blackmore’s films are character-driven and innovative in style and approach. Her recent screen credits include We Circle Silently (Sydney Film Festival, Dendy Awards 2023), Art is Everywhere (ABC 2023), and The Butter Scene (Sydney Film Festival 2021). Kate wrote and directed the ABC-commissioned half-hour documentaries The Art of Collecting (2021) and The Woman and The Car (Adelaide Film Festival, Hive Fund, 2018); as well as the short form series’ The Glass Bedroom (2016), The Movement (2017) and Video Becomes Us (2018). Kate is also a founding member of acclaimed artist collective Barbara Cleveland whose video and performance works have exhibited internationally and are included in major Australian public collections. Make it Look Real is Kate’s debut feature documentary.
